It really is a shame, as a few other of my classmates could tell you that we have to blog about Beowulf, for a second month in a row(which is my fault actually i guess) because personally, I think Wuthering Heights and Hamlet are both far more interesting than Beowulf will ever be, even if the author decided to throw in seven more dragons, a band of ninjas and some angry centaurs for him to fight. The story couldn't get that much more interesting only because...well its kind of predictable.
Apparently, there are at least ten other critics who disagree with my previous statement so much that they felt the need to write some fancy critical reviews about it. I agree with most all of their statements, and they did make me realize some interesting details that I hadn't before. Kathryn Hume makes the point that we as readers never see the human side of Beowulf in a sense that we never hear his monologues. Not once do we see him reflect upon his victories, or the tragedies in his life, not one "i think/feel/wonder," nothing that would make us feel he is human. In another extreme a play like Hamlet, where his thoughts and emotions are clearly spread before the reader.However, we don't necessarily need, Beowulf's emotional process spelled out to understand the kind of person he is. He is a human, in a sense that we see his grief over death and even in the end, regret that he had no son to pass his title to.
Each critic has his own stance that argues the theme and context of the story quite validly. However, personally, I like Tolkien's statement more than the others. I believe, as Tolkien does, that Beowulf is not a common man, but he is a common hero, as is his plight. The poem in my opinion is not about who Beowulf and what he feels. The debate over whether the story has christian or pagan influencing elements does not matter, because the story is universal in every culture. Tolkien breaks down the theme into man versus monster. I think this statement sums up all we need to know about the story Beowulf. Yes, the conversation between the characters, and the turmoil between countries was interesting and informative, but in short, every monster slashing hero story is going to be like this to some extent. The hero and his party cheer when they win, and there's probably going to be a lot of alcohol when they do, but this is all to be expected. Of course this is not what Tolkien was not trying to say exactly, but it reinforces the fact that Beowulf's story is one so common that it is universal, and every country and every religion most likely has one of similar merit. Tolkien ignores Beowulf as an original character, and I don't think that he is. Although his thought process is revealed through his actions, his story is not totally original enough to emphasize Beowulf s character of having that great importance in the real meaning of the story. In my opinion, theme is a more important feature in Beowulf than character. It is about, as Tolkien states "initial success and final defeat."
I find few comparisons between Beowulf and the other books we are reading at this time. The story of Beowulf is about gaining honor, enough so to be remembered after your death. Beowulf seeks to accumulate respect through his victories and gain everlasting fame. In the play Hamlet, Hamlet speaks of honor, in defending his fathers, as his mother had disgraced him by marrying his uncle. Though honor does not nearly have as much importance in Hamlet as in Beowulf, it is both something they are trying to protect to some extent.
Fame, though it does not have as much emphasis in today's society as it had then is still something people struggle to deal with. People "look up" to celebrities, blindly calling them their heroes in a similar fashion to Beowulf s' men had. Honor on the other hand, in America at least, has little importance if any. In middle eastern counties, tied closely to religion honor is most prevalent and disgrace to your family means death or worse.
In short, the article was confusing to read, because I kept forgetting which way I had flipped the page last, the spell check on here wants to change the Wuthering in Wuthering Heights to Withering(which could be appropriate if you think about it) and I really enjoyed not being in school for seven days.
Apparently, there are at least ten other critics who disagree with my previous statement so much that they felt the need to write some fancy critical reviews about it. I agree with most all of their statements, and they did make me realize some interesting details that I hadn't before. Kathryn Hume makes the point that we as readers never see the human side of Beowulf in a sense that we never hear his monologues. Not once do we see him reflect upon his victories, or the tragedies in his life, not one "i think/feel/wonder," nothing that would make us feel he is human. In another extreme a play like Hamlet, where his thoughts and emotions are clearly spread before the reader.However, we don't necessarily need, Beowulf's emotional process spelled out to understand the kind of person he is. He is a human, in a sense that we see his grief over death and even in the end, regret that he had no son to pass his title to.
Each critic has his own stance that argues the theme and context of the story quite validly. However, personally, I like Tolkien's statement more than the others. I believe, as Tolkien does, that Beowulf is not a common man, but he is a common hero, as is his plight. The poem in my opinion is not about who Beowulf and what he feels. The debate over whether the story has christian or pagan influencing elements does not matter, because the story is universal in every culture. Tolkien breaks down the theme into man versus monster. I think this statement sums up all we need to know about the story Beowulf. Yes, the conversation between the characters, and the turmoil between countries was interesting and informative, but in short, every monster slashing hero story is going to be like this to some extent. The hero and his party cheer when they win, and there's probably going to be a lot of alcohol when they do, but this is all to be expected. Of course this is not what Tolkien was not trying to say exactly, but it reinforces the fact that Beowulf's story is one so common that it is universal, and every country and every religion most likely has one of similar merit. Tolkien ignores Beowulf as an original character, and I don't think that he is. Although his thought process is revealed through his actions, his story is not totally original enough to emphasize Beowulf s character of having that great importance in the real meaning of the story. In my opinion, theme is a more important feature in Beowulf than character. It is about, as Tolkien states "initial success and final defeat."
I find few comparisons between Beowulf and the other books we are reading at this time. The story of Beowulf is about gaining honor, enough so to be remembered after your death. Beowulf seeks to accumulate respect through his victories and gain everlasting fame. In the play Hamlet, Hamlet speaks of honor, in defending his fathers, as his mother had disgraced him by marrying his uncle. Though honor does not nearly have as much importance in Hamlet as in Beowulf, it is both something they are trying to protect to some extent.
Fame, though it does not have as much emphasis in today's society as it had then is still something people struggle to deal with. People "look up" to celebrities, blindly calling them their heroes in a similar fashion to Beowulf s' men had. Honor on the other hand, in America at least, has little importance if any. In middle eastern counties, tied closely to religion honor is most prevalent and disgrace to your family means death or worse.
In short, the article was confusing to read, because I kept forgetting which way I had flipped the page last, the spell check on here wants to change the Wuthering in Wuthering Heights to Withering(which could be appropriate if you think about it) and I really enjoyed not being in school for seven days.
